Encaustic Paintings

Page 2 of 6
Denise Derviche, Birgit Huttemann Holz, Sebastian Boniforti, Aleksandr Trachishin, Kohlene Hendrickson, Bridget Busutil, Sergio Olivosm, Gudrun Ploetz, William Dick offering original Encaustic Paintings artworks.


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Denise Derviche: 'cacos03', 2008 Encaustic Painting, Abstract Figurative.
, 2008
Abstract Figurative - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Denise Derviche: 'murocalcada', 2008 Encaustic Painting, Abstract Figurative.
Abstract Figurative - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Denise Derviche: 'cacos01', 2009 Encaustic Painting, Abstract.
, 2009
Abstract - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Birgit Huttemann Holz: 'Wherever you are', 2008 Encaustic Painting, Abstract Landscape. encasutic landscape, abstract landscape,  landscape, encaustic painting on braced luan, yellow ochre, done with beeswax, pigments, fire, razorblade ...
Abstract Landscape - Painting
100 x 100 cm (39.4 x 39.4 inches)
Birgit Huttemann Holz: 'Come Away with Me', 2008 Encaustic Painting, Abstract Figurative.  done with beeswax, pigments, on braced luan ...
Abstract Figurative - Painting
80 x 80 cm (31.5 x 31.5 inches)
Sebastian Boniforti: 'Sioux', 2005 Encaustic Painting, Abstract.  Year 2005 100x140 Encaustic ...
, 2005
Abstract - Painting
140 x 100 cm (55.1 x 39.4 inches)
Sebastian Boniforti: 'Monasterio', 2007 Encaustic Painting, Abstract.  Year 2007 100x155 Encaustic on MDF ...
, 2007
Abstract - Painting
100 x 155 cm (39.4 x 61.0 inches)
Aleksandr Trachishin: 'Wisdom of King Solomon', 2007 Encaustic Painting, Mythology.   Modern Biblical. ...
Mythology - Painting
36 x 30 inches (91.4 x 76.2 cm)
Aleksandr Trachishin: 'Dance 1', 2007 Encaustic Painting, Abstract Figurative.
, 2007
Abstract Figurative - Painting
24 x 18 inches (61.0 x 45.7 cm)
Aleksandr Trachishin: 'Almost relaxed women 2', 2007 Encaustic Painting, Abstract Figurative.
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Aleksandr Trachishin: 'Almost relaxed women 1', 2007 Encaustic Painting, Abstract Figurative.
Abstract Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
Kohlene Hendrickson: 'Calling All Angels', 2007 Encaustic Painting, Abstract Figurative.  Mixed media, aquarelle on paper mounted on wood and over painted with transparent encaustic medium. ...
Abstract Figurative - Painting
80 x 115 cm (31.5 x 45.3 inches)
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Kohlene Hendrickson: 'Veils of Conciousness', 2008 Encaustic Painting, Inspirational.  Mixed media, aquarelle on paper, metallic gauche mounted on wood and over painted with encaustic paint. ...
Inspirational - Painting
80 x 115 cm (31.5 x 45.3 inches)
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Bridget Busutil: 'Mermaid2', 2006 Encaustic Painting, Abstract Figurative.  Encaustic on wood.Follow leavingThis Mermaid reflects her sadness of leaving.  She is bent under the weight of the suffering, , , , ...
, 2006
Abstract Figurative - Painting
60 x 50 inches (152.4 x 127.0 cm)
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Sergio Olivosm: 'Cenizas', 2007 Encaustic Painting, Abstract.  Ashes, scorpion, wood and sand ...
, 2007
Abstract - Painting
24 x 42 inches (61.0 x 106.7 cm)
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Bridget Busutil: 'Oasis', 2003 Encaustic Painting, Abstract. feeling  water , rain, waves in storm.40 layers of thin encaustic transparent colours organized to produce the * D effect. The work is flat and feel like marbleEncaustic on wood...
, 2003
Abstract - Painting
52 x 30 inches (132.1 x 76.2 cm)
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Gudrun Ploetz: 'Day of the dead', 2003 Encaustic Painting, Death. Acrylics, encaustic wax and gold leaf on hardboardThis painting was created for the Day of the dead, clebrated in Mexico and parts of the States, which is a colorful day honoring our dead friends and relatives. . . as colorful as that painting is....
Death - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Gudrun Ploetz: 'Beauty on black', 2002 Encaustic Painting, Abstract. Encaustic and acrylics on harboard...
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Gudrun Ploetz: 'Colours of erotic 3', 2003 Encaustic Painting, Abstract. Encaustic on thick aquarell paper...
Abstract - Painting
10 x 13 inches (25.4 x 33.0 cm)
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Gudrun Ploetz: 'Bed of roses', 2002 Encaustic Painting, Abstract. Encaustic on special cardboard...
Abstract - Painting
16 x 24 inches (40.6 x 61.0 cm)
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Gudrun Ploetz: 'Wild roses', 2002 Encaustic Painting, Abstract. Encaustic on spezial cardboard...
, 2002
Abstract - Painting
16 x 24 inches (40.6 x 61.0 cm)
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Gudrun Ploetz: 'colours of erotic 1', 2003 Encaustic Painting, Abstract. Encaustic on thick aquarell paper...
Abstract - Painting
13 x 0 inches (33.0 x 0.0 cm)
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Gudrun Ploetz: 'Someone is watching you', 2003 Encaustic Painting, Abstract. Encaustic on thick aquarell paper...
Abstract - Painting
14 x 10 inches (35.6 x 25.4 cm)
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Gudrun Ploetz: 'The darkness is far away 2', 2002 Encaustic Painting, Abstract. Encaustic and acrylic paint on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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Gudrun Ploetz: 'The darkness is far away 1', 2002 Encaustic Painting, Abstract. Encaustic and acrylic paint on canvas...
Abstract - Painting
20 x 40 inches (50.8 x 101.6 cm)
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Gudrun Ploetz: 'The green and the colours 2', 2002 Encaustic Painting, Abstract. Encaustic and acryl paints on canvas...
Abstract - Painting
16 x 40 inches (40.6 x 101.6 cm)
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Bridget Busutil: 'Blood River', 2003 Encaustic Painting, Abstract. suffering. . a bleeding heart, but hope is at the end. . .Technically challenging. innumerable layers of transparent coloured wax to create the complex pattern. About 40 layers-Ther is one Iris print of this work:40x40 : 6000$...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Bridget Busutil: 'Thoughts', 2002 Encaustic Painting, Landscape. encaustic on board:intricacies of branches unfolding as our thoughts...
, 2002
Landscape - Painting
30 x 40 inches (76.2 x 101.6 cm)
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William Dick: 'LEERIE II', 2015 Encaustic Painting, Abstract.                                               Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE IV', 2015 Encaustic Painting, Abstract.                                             Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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(Page 2 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Birgit Huttemann Holz - For me the art of encaustic is the scent of memories and dreams, sweet and eternal. I paint with beeswax mixed with pigments, fuse each layer with fire (blowtorch), even paint sometimes with the destroying hungry flame. I love the physical impact of the blowtorch, the evolving mountains and valleys, possibilities, lost designs in the mixing and melting beeswax. The inner voice - fire is literally the tool. The use of the razorblade is thoughtful, thorough, controlled. Scratching away the layers, to get to the truth of a feeling, to reveal, to find the history of a painting is my greatest joy. Encaustic is known as one of the most difficult mediums to work with. It is constant loss and restauration. It opens routes of seeing you would have never guessed. The beauty of an encaustic paintings lies in its luminosity, transparent layers let you see through the surface- and you bounce back with light and awe. -of an illiterate poet. ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Sergio Olivosm - Investigating themes of humanity and human nature ... is what my pieces are a reflection of--an imprint...a memoir and a motive for reflection about my life and times. The presence and absence of objects (bullets, knives, teeth) play an important part in'rememberance' and the act of'provoking thought'. Being in the presence of an object we know is used to wound, to the print marking the obvious absence of the same- leaves one with thoughts of our own certain reality: our every day knowledge of the violence around me directly and/or indirectly. Iraq, Lebanon, Palestine, Israel, Ciudad Juarez- from my Mexico , My new home: Washington DC (this summer 2006--- 15+ murders.. and counting). Realities can also be simple as they surround me. My constant fascination with the beauty of insects and other found objects leads me to memorialize them on my canvases (btw: I only keep them when dead). In Mexico it was scorpions.... now in the Washington DC area, I am turning to wasps and cicadas. ...

Gudrun Ploetz - My paintings are all "wanted" paintings. That's a base thing I believe in. I think paintings and art in general is good if the artist wanted it and it came from his inside. Some artist "want" to do arts when they are down, some other paint when they feel well. I belong to the last ones. My paintings show the times my soul felt good. I can't paint when I'm down. Then I need music. But the more paintings I do in my good times, the longer I feel good. A good feeling, people I meet who touch my soul, warm words and good talks can inspire me a lot. And I want to transfer those, my good feelings to other people. Art is kind of healing, art can give you the power for the next step into the hard daily life process. That's why artists are necessary in this world, to make people happy, to give their eyes and their souls a gentle touch, to inspire them to try it themselves, to come in contact with paint and drawing pen. My paintings are all around colour, the first thing I notice myself at a painting ...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...