Paintings For Sale - Price Range: $3000 - $3999

Page 21 of 55
Discover 1,578 original painting artworks for sale between $3000 - $3999. Contemporary emerging artists: D Loren Champlin, Alexander Sibachev, Leif Mårdh, Pedro Martin De Clet, Timothy King, Thomas Jewusiak, Nicole Peña, Keren Gorzhaltsan, Larry Kaiser, Neil Maizels, Lavih Serfaty, Georges Fikry Ibrahim, Charles Edmunds, Jodi Castagnozzi, Richard Wynne, Beverly Furman are exhibiting their affordable original art. You can buy artwork online and browse 55 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Painting Categories / Painting / Previous / Next
D Loren Champlin: 'Reclining Nude', 2007 Oil Painting, nudes. This is a painting of a reclining nude not yet titled....
nudes - Painting
48 x 36 inches (121.9 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
D Loren Champlin: 'Music of New Orleans', 2005 Oil Painting, Urban. This is a painting of a musician on the streets of New Orleans done from sketches during my visit there....
Urban - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
D Loren Champlin: 'The Dreamer', 2007 Oil Painting, Portrait. nude portrait on linen...
Portrait - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
D Loren Champlin: 'Betrayal', 2007 Oil Painting, Abstract Figurative. reclining nude...
, 2007
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Alexander Sibachev: 'Guitar', 2003 Oil Painting, Music.  Oil on Canvas. Please e- mail for payment and shipping information. ...
, 2003
Music - Painting
31 x 43 inches (78.7 x 109.2 cm)
Leif Mårdh: 'MIXED FICTION', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
115 x 90 cm (45.3 x 35.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Pedro Martin De Clet: 'The Fall of Icarus', 2007 Acrylic Painting, Abstract. Enamelacrylique on Yuca board. . . ...
Abstract - Painting
3 x 4 feet (0.91 x 1.22 m)
Like It   indepth artwork information   Add To Shopping Cart
Timothy King: 'Winter Window', 2005 Oil Painting, Still Life.
Still Life - Painting
30 x 22 inches (76.2 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Timothy King: 'Suspended emotion', 2006 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Timothy King: '51st off Memorial Drive Tulsa', 1985 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
30 x 22 inches (76.2 x 55.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Timothy King: 'Two Pears and Knife', 2006 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Thomas Jewusiak: 'Tropical Fish', 2007 Oil Painting, Fish.
Fish - Painting
26 x 20 inches (66.0 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nicole Peña: 'I heard She was coming', 1994 Acrylic Painting, Figurative.  Women gather to pray and sing psalms. ...
Figurative - Painting
62 x 48 inches (157.5 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Keren Gorzhaltsan: 'Mountains', 2006 Oil Painting, Undecided.  oil on canvas ...
, 2006
Undecided - Painting
92 x 152 cm (36.2 x 59.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Leif Mårdh: 'Discomposed imagination', 2006 Oil Painting, Fantasy.
Fantasy - Painting
100 x 81 cm (39.4 x 31.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Larry Kaiser: 'At Work Above Indy Arts Garden', 2006 Oil Painting, Cityscape.  En plein- air impressionistic oil on canvas with special attention to the optimistic reflective light in deep shadows. ...
Cityscape - Painting
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Larry Kaiser: 'Fall Creek Bridge', 2006 Oil Painting, Cityscape.  Contemporary impressionism: A beautiful spot in Indianapolis, a touchstone of sorts.  A friend of mine took me to the river bank below the bridge and explained that when her mother died in a near- by hospital, this bridge is where a short, sad walk took her, and where she was...
Cityscape - Painting
24 x 20 inches (61.0 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Neil Maizels: 'messianic blood cells', 2006 Other Painting, Undecided.
Undecided - Painting
32 x 32 inches (81.3 x 81.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lavih Serfaty: 'blue yellow green', 2006 Acrylic Painting, Abstract.
Abstract - Painting
100 x 70 cm (39.4 x 27.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Georges Fikry Ibrahim: 'successive act', 2003 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
70 x 100 cm (27.6 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Charles Edmunds: 'The TANGRAM leaves Charleston Harbor', 2006 Oil Painting, Marine. The TANGRAM is a Chinese Lugsail and is outgoing thru the Charleston Bascule bridge, past the Public Icing Dock. In the collection of Herb Yussum, Bandon, Oregon...
Marine - Painting
40 x 30 inches (101.6 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jodi Castagnozzi: 'Woman Beach', 2005 Oil Painting, Figurative. Jodi Castagnozziwww. castagnozzi. net...
Figurative - Painting
3 x 3 feet (0.91 x 0.91 m)
Like It   indepth artwork information   Add To Shopping Cart
Richard Wynne: 'Battle', 2006 Other Painting, Military. Battle is a part of a series. Each painting depicts a real or imaginary battle. Basically I am trying to transform this subjecy into a design of flow of motion using colors and intensity of brush to convwey the emotion of a battle. I have used oils, acyrlic, white glue, ...
, 2006
Military - Painting
121 x 91 cm (47.6 x 35.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Richard Wynne: 'Tango de Amor', 2006 Other Painting, Dance. Lost in love and the spirit of the dance two lovers alone in a wrld of their own. This is a mixed medium painting using sand, oil, acyrlic, garment dye, lacquer, and sand. THis was painted as an entry for a major International Art Competition. Please give me your opinion. ...
Dance - Painting
100 x 100 cm (39.4 x 39.4 inches)
Like It   indepth artwork information   Add To Shopping Cart
Beverly Furman: 'MONTICELLO ARCADE FACE', 2000 Acrylic Painting, Architecture. The Monticello Arcade is one of two Arcades built in now- renewed Downtown, which originally was a covered thoroughfare for vehicles and pedestrians, with 3 floors of offices and shops on the sides. Now enclosed, it still has these 3- story columns inside and outside....
Architecture - Painting
60 x 50 inches (152.4 x 127.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Beverly Furman: 'HOWLING MASKS', 2005 Acrylic Painting, Mask. What began as a depiction of the interior of the Art Center where my studio was ( before the building was demolished for Condos) became a response to the tragic twin towers event: a series of pairs of rectangles and masks howling in anguish. There are many layers of paint - - and ...
Mask - Painting
30 x 40 inches (76.2 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Beverly Furman: 'AFTER THE STORM', 2005 Acrylic Painting, nature. Depiction of what was left of
nature - Painting
30 x 40 inches (76.2 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lavih Serfaty: 'Red Chakra', 2006 Acrylic Painting, Healing. Red ChakraThis chakra forms our foundation. It represents the element earth, and is therefore related to our survival instincts, and to our sense of grounding and connection to our bodies and the physical plane. The Red chakra brings us health, prosperity, security, and dynamic presence.This two dimentional sculpture ...
, 2006
Healing - Painting
100 x 70 cm (39.4 x 27.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Lavih Serfaty: 'yellow chakra', 2006 Acrylic Painting, Healing. Yellow Chakra This chakra rules our personal power, will, and autonomy, as well as our metabolism. When healthy, this chakra brings us energy, effectiveness, spontaneity, and non- dominating power.This two dimentional sculpture is made of aluminum nailed to a wooden frame. the forms of the sculpture change with the ...
Healing - Painting
100 x 70 cm (39.4 x 27.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hans Droog: 'Self Portrait with slaughtered cow heads', 1996 Oil Painting, Portrait. Self portrait with slaughtered cow heads...
Portrait - Painting
36 x 48 inches (91.4 x 121.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 21 of 55) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    D Loren Champlin - D. Loren Champlin currently resides in the highlands of Maine with his loving spouse and son. Champlin showed an interest in drawing very early in life. Champlin has been painting professionally since 1992. Early works were predominately done in pastels. After about 1997, he now works predominately in oils, yet the youthful spirit of his work remains the same. Champlin boldly uses colour and line to express his artistic vision. The colour is weaved together to form a tapestry. Bold lines give a feeling of motion and energy. His works are influenced by the passion and energy of life. Painting is the symphysis between artist and subject - the subject and the artist transcends a part of themselves to the painting creating a perfect union. It is a butterfly and the flower, the butterfly paints the flower flowing on the wind to the next to create new life - the miracle of pollenation. Painting is a way of thought. There are no words really to describe the process as thoughts are emotions and hues and shapes. It is calculated chaos resulting in harmony. Painting is to capture the spirit as if one could take a breath of wind, hold it and give...

    Alexander Sibachev - Magical realism is the common theme throughout Alexander Sibachev's portfolio of oil paintings. Influenced by travels and life on three continents (Europe, Africa and North America), his artwork is a spectrum of emotions and impressions translated into form and color. Alexander presents a modern interpretation of form and figure combined with an emotionally-charged color palette. Each painting offers a fresh perspective of the magical element in the otherwise ordinary. To view Alexander's full portfolio, please visit www.sibachevart.com...

    Leif Mårdh - To paint has always been a challenge to me. My uncle was a painter and my father was a sculptor, carving in wood. I learned a lot from them. Although I was very indeterminate as a young how to express my- self on canvas and develop my painting, how to chose style and media. I was a great admirer of the expressionists as well as of surrealists like Salvador Dali. Still very unsure of where is my homeyard in the enormous cityblocks of art I let the brush be conducted by in- fluence of my emotions. Sometimes resulting in creatures with yelling faces in a mess of colours, sometimes in themes in abstemious reticence. ...

    Pedro Martin De Clet - Born: Brooklyn; New York. Raised:New Haven; Connecticut. "I am completely self-taught. & although I work in all mediums, I consider myself first & foremost a Painter. My subject matter is everything having to do with life. Love, hate, joy, fear, pain, happiness, sorrow, & everything in between. I Paint what others can't or won't. I believe that ideas are only as good as the content that embodies them. I Paint the truth. I have no time to waste. Neither the viewers, nor mine. I leave that to the pretenders & posers, content on ideas without substance & clean hands. Painting should be as real as the Paint on the canvas, or piece of paper; or what have you. I do not mean that it has to be figurative, but that it should carry the weight & conviction of a soul. Then if it is any good, the viewer will either love it, or hate it. & this is what I am after." pedro ...

    Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

    Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...

    Nicole Peña - In many of my paintings I depict entranced individuals who are seduced into a musical and psychic celebration. A song lives within the space of my canvas enrapturing participants to sway to its vibrations and experience its sensual essence. In one painting a frenzied conga compels hips to gyrate and eyes to close while in another a gentle psalm inspires as it soothes the soul. In these works, rhythm liberates the body and frees the spirit by compelling the participants to combine sensual movements with soulful meditations....

    Larry Kaiser - How My Paintings Become Sopwith Camels or the High-Flying Thrills of En Plein-Air. I pilot a painting. Rev it up. Get it off the ground, something--not Inspiration in the traditional mystic, religious, fantastic or legendary sense, but something real in our environment or our humanity that I find inherently splendid to my eye giving it lift. Then I set it on autopilot for a while in the direction I hope it will go. I do check the instruments--draftsmanship, painterliness, color (paying special attention to grays and values), communication and visual balance--rather diligently. If nothing bad happens, I relax and enjoy the flight. There are dangers in the process. Those cliches of habit and art school and patron taste often disguise themselves as that cheap inspiration I mentioned in the first paragraph and try to take over the flight. My job is to prevent that from happening. And I must recognize when the painting has run into a problem that it cannot pilot through by itself. Then, my job is to interfere. A little. Prevent the mutiny. Then hope that my ability, such as it is, has not been insulted, will not sulk, does not...

    Lavih Serfaty - Lavih Serfaty is a multicultural artist. The works are on canvas, paper and aluminum. The painting are in acrilyc and water color. The latest painting are painted on aluminum with acrylic color. The use of bright and mono color is a result of a deep learning and understanding the power of the colors as it's affect people. The color can change the atmosphere of the environment, can heal our soul. The use of the right color in the right place can bring new and pure energy in our home. "I use the theories of color therapy, "feng shui" and "chakra energy" in my painting. The idea of making those painting is a result of long period of meditation and listening to music. Then I decided to paint with just one color according to state of mood I am, after I meditate. The aluminum is folded before I put the color on. When the painting is hanging on the wall, the color change as the light is changing during the day, the shade accentuate the color and change them to deep, darker or lighter. It's fill the room with bright and clear energy. The colors I choose are from ...

    Charles Edmunds - Due to AbsoluteArts...I have been much more visible on the Web...and for this, I am grateful. CharlesofCharleston See More of my Paintings: Below at Charles ART LINKS See Charles at ShoreAcres State Park

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....