Artists Describing Their Art:
D Loren Champlin - D. Loren Champlin currently resides in the highlands of Maine with his loving spouse and son. Champlin showed an interest in drawing very early in life. Champlin has been painting professionally since 1992. Early works were predominately done in pastels. After about 1997, he now works predominately in oils, yet the youthful spirit of his work remains the same. Champlin boldly uses colour and line to express his artistic vision. The colour is weaved together to form a tapestry. Bold lines give a feeling of motion and energy. His works are influenced by the passion and energy of life. Painting is the symphysis between artist and subject - the subject and the artist transcends a part of themselves to the painting creating a perfect union. It is a butterfly and the flower, the butterfly paints the flower flowing on the wind to the next to create new life - the miracle of pollenation. Painting is a way of thought. There are no words really to describe the process as thoughts are emotions and hues and shapes. It is calculated chaos resulting in harmony. Painting is to capture the spirit as if one could take a breath of wind, hold it and give...
Alexander Sibachev - Magical realism is the common theme throughout Alexander Sibachev's portfolio of oil paintings. Influenced by travels and life on three continents (Europe, Africa and North America), his artwork is a spectrum of emotions and impressions translated into form and color. Alexander presents a modern interpretation of form and figure combined with an emotionally-charged color palette. Each painting offers a fresh perspective of the magical element in the otherwise ordinary. To view Alexander's full portfolio, please visit www.sibachevart.com...
Leif Mårdh - To paint has always been a challenge to me. My uncle was a painter and my father was a sculptor, carving in wood. I learned a lot from them. Although I was very indeterminate as a young how to express my- self on canvas and develop my painting, how to chose style and media. I was a great admirer of the expressionists as well as of surrealists like Salvador Dali. Still very unsure of where is my homeyard in the enormous cityblocks of art I let the brush be conducted by in- fluence of my emotions. Sometimes resulting in creatures with yelling faces in a mess of colours, sometimes in themes in abstemious reticence. ...
Pedro Martin De Clet - Born: Brooklyn; New York. Raised:New Haven; Connecticut. "I am completely self-taught. & although I work in all mediums, I consider myself first & foremost a Painter. My subject matter is everything having to do with life. Love, hate, joy, fear, pain, happiness, sorrow, & everything in between. I Paint what others can't or won't. I believe that ideas are only as good as the content that embodies them. I Paint the truth. I have no time to waste. Neither the viewers, nor mine. I leave that to the pretenders & posers, content on ideas without substance & clean hands. Painting should be as real as the Paint on the canvas, or piece of paper; or what have you. I do not mean that it has to be figurative, but that it should carry the weight & conviction of a soul. Then if it is any good, the viewer will either love it, or hate it. & this is what I am after." pedro ...
Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...
Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...
Nicole Peña - In many of my paintings I depict entranced individuals who are seduced into a musical and psychic celebration. A song lives within the space of my canvas enrapturing participants to sway to its vibrations and experience its sensual essence. In one painting a frenzied conga compels hips to gyrate and eyes to close while in another a gentle psalm inspires as it soothes the soul. In these works, rhythm liberates the body and frees the spirit by compelling the participants to combine sensual movements with soulful meditations....
Larry Kaiser - How My Paintings Become Sopwith Camels or the High-Flying Thrills of En Plein-Air. I pilot a painting. Rev it up. Get it off the ground, something--not Inspiration in the traditional mystic, religious, fantastic or legendary sense, but something real in our environment or our humanity that I find inherently splendid to my eye giving it lift. Then I set it on autopilot for a while in the direction I hope it will go. I do check the instruments--draftsmanship, painterliness, color (paying special attention to grays and values), communication and visual balance--rather diligently. If nothing bad happens, I relax and enjoy the flight. There are dangers in the process. Those cliches of habit and art school and patron taste often disguise themselves as that cheap inspiration I mentioned in the first paragraph and try to take over the flight. My job is to prevent that from happening. And I must recognize when the painting has run into a problem that it cannot pilot through by itself. Then, my job is to interfere. A little. Prevent the mutiny. Then hope that my ability, such as it is, has not been insulted, will not sulk, does not...
Lavih Serfaty - Lavih Serfaty is a multicultural artist. The works are on canvas, paper and aluminum. The painting are in acrilyc and water color. The latest painting are painted on aluminum with acrylic color. The use of bright and mono color is a result of a deep learning and understanding the power of the colors as it's affect people. The color can change the atmosphere of the environment, can heal our soul. The use of the right color in the right place can bring new and pure energy in our home. "I use the theories of color therapy, "feng shui" and "chakra energy" in my painting. The idea of making those painting is a result of long period of meditation and listening to music. Then I decided to paint with just one color according to state of mood I am, after I meditate. The aluminum is folded before I put the color on. When the painting is hanging on the wall, the color change as the light is changing during the day, the shade accentuate the color and change them to deep, darker or lighter. It's fill the room with bright and clear energy. The colors I choose are from ...
Charles Edmunds - Due to AbsoluteArts...I have been much more visible on the Web...and for this, I am grateful. CharlesofCharleston See More of my Paintings: Below at Charles ART LINKS See Charles at ShoreAcres State Park
Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...
Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....