Paintings For Sale - Price Range: $400 - $499

Page 3 of 46
Discover 1,324 original painting artworks for sale between $400 - $499. Contemporary emerging artists: Lora Vannoord, Arrachme Art, Azhar Shemdin, C. Mari Pack, Luiz Henrique Azevedo, Tom Lund-lack, William Christopherson, Shelly Leitheiser, Jim Lively, Michael Garr, Michael Schaffer, Ron Anderson, Becky Soria, Harry Weisburd, Luise Andersen, Heather Hyatt, Pilar Pérez-prado, Ron Ogle, Bonie Bolen, Donna Gallant, Andree Lisette Herz, Judith Fritchman are exhibiting their affordable original art. You can buy artwork online and browse 46 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Arrachme Art: 'Clear Skies', 2016 Acrylic Painting, Seascape.  Painted seascape, peaceful, day on the water. horizon, water, sky, blue, paintings, clouds, arrachme, arrachme art...
Seascape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Azhar Shemdin: 'Nature In Blue', 2016 Acrylic Painting, Abstract Landscape. Original painting Liquid acrylic on stretched canvas. ...
Abstract Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
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C. Mari Pack: 'Playfully Intimate', 2015 Acrylic Painting, Abstract.      One of a kind original poured acrylic painting on a gesso boardsurface, using: Ultramarine blue, Teal, Yellow, Orange and Titanium White.  All materials used are archival. Abstract art, abstract, energy, colorful, abstract expressionism, motion painting, original artwork, acrylic, spiritual.          ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luiz Henrique Azevedo: 'Vases', 2010 Oil Painting, Still Life. The chinese jars from my parents and my home jars....
, 2010
Still Life - Painting
41 x 33 cm (16.1 x 13.0 inches)
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Tom Lund-lack: 'Oil Sketch Blue and Yellow Jockey', 2012 Oil Painting, Equine.     Pace, colour & movement of racehorse and jockey are the subject of this oil on board.     ...
Equine - Painting
30 x 60 cm (11.8 x 23.6 inches)
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William Christopherson: 'Florida Ponce Inlet Boats Atlantic Coast Christopherson', 2014 Oil Painting, Seascape.      TITLE:
Seascape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Shelly Leitheiser: 'Sky Blue Sky', 2013 Acrylic Painting, Abstract Landscape.  Sky Blue Sky is an acrylic abstract from my imagination. It's chaotic and expressionistic, yet with intensely blue and white impressions of clouds. ...
Abstract Landscape - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Jim Lively: 'Fourth of July', 2013 Acrylic Painting, Surrealism.    acrylic and metallic acrylics on canvas   ...
Surrealism - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Michael Garr: 'Sahara 2', 2012 Oil Painting, Abstract Landscape.     Western part of the Sahara, some dunes fading to pavement. ...
, 2012
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Michael Schaffer: 'Dance of Magic', 2017 Acrylic Painting, Abstract. The magic of color flow is on display in this work. ...
Abstract - Painting
12 x 18 inches (30.5 x 45.7 cm)
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Ron Anderson: 'Palm House in the Shade', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Palm House in the Shade. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Winding Path in Franklin Park', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Winding Path in Franklin Park. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Blue Skies on a Sunny Day', 2011 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Blue Skies on a Sunny Day. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Michael Garr: 'Sahara', 2012 Oil Painting, Abstract Landscape.
, 2012
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Becky Soria: 'Animal Gods', 2011 Acrylic Painting, Abstract Figurative.  from the series Primitive...
Abstract Figurative - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Lora Vannoord: 'Sailboats near Cliffs', 2011 Oil Painting, Marine.  Original oil painting on canvas board created mostly with a painting knife.  A cliff and two sailboats coming in.  It has a 3 inch wide dark brown frame.  The same frame that you see in the photo of my two oil paintings of lighthouses ...
Marine - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Lora Vannoord: 'Lighthouse', 2011 Oil Painting, Beach. Original oil painting using mostly a knife on canvas board.  It has a 3 inch dark brown frame.  ...
, 2011
Beach - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Harry Weisburd: 'Redux  1950s', 2011 Acrylic Painting, Figurative.  Redux 1950s Sexy erotic woman in 1950s style clothes with 1950s car at the beach with an umbrella         ...
Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Luise Andersen: 'UNTITLED STILL  Choice of view I  FebTwlve', 2009 Oil Painting, Undecided.  oil on canvas and board. . noticed, has other choice of view too. . core demands. . always true. . so I creatively proceeded with original beginnings. . painted heavier on black lines. . forwards feel more clear. .  other forms. . symbolism . . completed and available for collection. Make offer....
Undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Heather Hyatt: 'White Bustier', 2008 Oil Painting, Still Life. ' White Bustier' is trompe l' oeil style.  ...
Still Life - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Pilar Pérez-prado: 'Reality and Memory VI Reality', 2005 Acrylic Painting, Geometric.   0. 0 ...
Geometric - Painting
0 x 0 cm (0.0 x 0.0 inches)
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Pilar Pérez-prado: 'Reality and Memory IV Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory III Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory III Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ron Ogle: 'the moment you realize you are not present you are present', 2008 Oil Painting, Abstract.
Abstract - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Bonie Bolen: 'The Recipe', 2004 Oil Painting, Home.
, 2004
Home - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Donna Gallant: 'And she came in the spring to take him away', 2006 Acrylic Painting, Romance.  A mixed media @ acrylics on canvas painting that is part of the SECRETS series. ...
Romance - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Andree Lisette Herz: 'blue house with flowers', 2007 Acrylic Painting, Landscape.  acrylic painting of a house in our townthat is a vibrant color, and really caught my eye. ...
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Judith Fritchman: 'Spring Promise', 2005 Oil Painting, Undecided.  An April walk through the village. ...
Undecided - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Garden I', 2006 Oil Painting, Landscape.  Early Summer in the garden. ...
, 2006
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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(Page 3 of 46) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...