Paintings For Sale - Price Range: $800 - $899

Artists Describing Their Art:

Tim Tero - i began painting after taking some painting courses w/ jon imber at the museum of fine arts school. jon imbers teacher back in the day was phillip guston. i am currently starting a series of paintings based images from the tokyo metro. i am obviously influenced heavly by contemporary japanese culture. but, also there are many contemporary painters, such as neo rauch and ena swansea that i'm very inspired by. film, espesially asian cinema has also been a big influence. more later......

Limor Golan Nesher - Artist statement : "Art, is part of the creation. It reveals the issues of the soul and makes them visible. My artistic vision is to create out of spirituality, knowing and seeing. While I turn my imagination loose, I wander between Earth and other worlds. I seek expression through colors stories and music. I ask to fill the hearts with colors, joy and pleasure. I am a dreamer who believes . I follow my dreams to become all that I can .. Limor Golan Nesher ...

Meena Chopra - My art is my search for the moments beyond the ones of self knowledge. It is the rhythmic fantasy which is so very elusive. A restless streak which looks for its own fulfillment. A stillness that moves within. An intense search for my origin and ultimate identity. Serene surroundings of my birth place 'Nainital' a hill resort in India have been a source of inspiration to me always. Strangely enough the beauty of Canada reminds me of my birth place a lot. Significantly the immenseness of the sky, the glory of the setting sun with its ever-changing colors and the unlimited wide expanse of the earth stills my nature within. ...

Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...

David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...

Greg Gierlowski - Light has always played important role in my creations. Light comming through translucent artwork interests me and fascinates me the most. Therefore I turned into glass and started to experiment with translucent creations. My admiration for Art Nouveau artists that had created a lot of beautiful everyday-use objects of art resulted in creation of applied arts' objects such as art-lamps. When one has backlight at ones disposal, there's whole new field of artistic expresion - not only on one front surface of glass panel but on two, or even four or more, when two or three layers of glass can be used as a kind of sandwich that builds deeper into artwork for 3D effects. That's what I'm working on now and what's seems to attract international viewers & art-critics more and more now-a-days, to the point of of achieving latest awards and honours ( mainly from Italy....

Priyanka Gupta Agarwal - An artist's life and images are often responses to some pressing cultural and historical needs of the time one lives in and the artistic motivation drives the mind into a journey of discovery, exploration and learning. Now an Indian artist in USA, I come from Kolkata, India, also called the'City of Joy' for its people and the passion with which they lead their lives. This passion has undoubtedly found its way into my own conceptions and expressions of the colors of life through my art. I typically apply paint rapidly and with a lot of force, throwing and dripping paints on the canvas to bring out my deep feelings and emotions. When I approach a canvas it is a spontaneous intuitive effort; the final work is honest and real. Images unfold, presenting themselves as the assimilation of environmental and emotional experiences in concentrated form. This strenuous process engages me artistically, physically, emotionally, and spiritually. I am curious about the possibility of exploring the vastness of the subconscious, psychic travel, energies made visible through color and, ultimately, myself. There is a desire to express both an inner spiritual truth that lies beyond the immediate nature of the visual world, ...

Bernard Marie Collet - paintings and pastels around nature and history, through rocks and leaves,waters and skyes; through broken statues, steles and temples left by history to our questioning present. French artist living in Paris. peintures et pastels autour de la nature et de l'histoire Retrouver la nature encore sauvage, lorsque l'homme ne la dominait pas, vegetaux, rochers, eaux courantes, ciels. Travaux autour de l'histoire aussi. Quelle est la resonnance du passe a nos regards numerises ? Reconnaitre les heritages a travers l'epaisseur du temps, les reintegrer a notre errance. Savoir au moins d'ou l'on vient a defaut de savoir ou l'on va. ...

Theo Radic - Everyone experiences drawing and painting as children. I was perhaps one year old therefore when I was first initiated into the painter's craft. I continued these universal beginnings throughout my school years and sporadic courses in college (which gave me few insights into this art). [...] I had only myself as a teacher in the art of painting. My evolution as a painter paralleled that of art history in general, beginning with my prehistoric period as a one-year-old-clutcher-of-crayolas, groping through Egyptian and Greek periods; a Renaissance period; and then neo-classicism, romanticism and naturalism; impressionism and fauvism; cubism and abstract expressionism. At nineteen I went to Europe, thirsty for scope and depth in Art which America lacks. Having established myself in the south of France, I absorbed the emanations of the modern masters who had lived and painted there. I was profoundly moved by the bizarre snow storm over La Cote d'Azur on the night of Picasso's death. No such storm had ever been seen before in April, as old-timers in Nice told me. [...] Fully acknowledging my debt to 'abstract expressionism', I nonetheless do not consider my art'abstract' - a word ...

Giulio Baistrocchi - my work deal with the microcosmos ans macrocosmos.The microcosmos is my subconsciousness, free from rational selfish arrogance.The macrosmos is wild nature, and not the trimmed humanised and rationalised nature. I use the amazon as a symbol of a flamboyant, exuberant yet fragile nature that overgrows everything almost like a green monster, eating and digesting everything. life and death, dance a syncopated samba, like man amd woman(or in ,my case passive man with active man) in a sexual frenzy. THis beautiful green monster is scary because we are afraid of loosing control,yet fragile because as soon as the forest is cultivated it get sterile after a few years.The micro and macro are linked, our obsession with rationaly is destroying ourselves and the amazon, destroying the amazon is the desire of rationality to destroy subconsciousness...