Photograph of Artist ANA MARIA HIDALGO
ANA MARIA HIDALGO
San pedro de la Paz, - Chile



Original Artworks (7)

Ana Maria Hidalgo; The Forest, 2016, Original Painting Oil, 70 x 30 cm.
Ana Maria Hidalgo
Original Oil Painting, 2016
70 x 30 cm (27.6 x 11.8 inches)
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Ana Maria Hidalgo; No Es Bueno Convertirse E..., 2007, Original Painting Acrylic, 2 x 106 cm. Artwork description: 241  From the series
Ana Maria Hidalgo
Original Acrylic Painting, 2007
2 x 106 cm (0.8 x 41.7 inches)
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Ana Maria Hidalgo; Concepcion Seen From The Hill, 2007, Original Painting Acrylic, 3.5 x 90 cm. Artwork description: 241  Belongs to the series
Ana Maria Hidalgo
Original Acrylic Painting, 2007
3.5 x 90 cm (1.4 x 35.4 inches)
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Ana Maria Hidalgo; Playfull Hearts, 2004, Original Painting Acrylic, 57 x 57 inches. Artwork description: 241 This belongs to a series called
Ana Maria Hidalgo
Original Acrylic Painting, 2004
57 x 57 inches (144.8 x 144.8 cm)
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Ana Maria Hidalgo; Vehement Hearts, 2004, Original Painting Acrylic, 57 x 57 inches. Artwork description: 241 This painting belongs to
Ana Maria Hidalgo
Original Acrylic Painting, 2004
57 x 57 inches (144.8 x 144.8 cm)
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Ana Maria Hidalgo; Thoughfull Hearts, 2003, Original Painting Acrylic, 51 x 35 inches. Artwork description: 241 From the series
Ana Maria Hidalgo
Original Acrylic Painting, 2003
51 x 35 inches (129.5 x 88.9 cm)
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Ana Maria Hidalgo; Spectral Hearts, 2004, Original Painting Acrylic, 51 x 35 inches. Artwork description: 241 From the series
Ana Maria Hidalgo
Original Acrylic Painting, 2004
51 x 35 inches (129.5 x 88.9 cm)
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Artist Statement

These paintings I have submitted belong to the sequence of paintings I have called “Sensorial Hearts”.

This sequence is being shown at the present time in Chile. I am showing 13 large paintings done in acrylic on canvas.

The subject has to do with the world of human feelings, symbolized by the shape of a heart, which is represented figuratively only once in while on the work of art.

Human feelings as subject matter constitute an excellent excuse for developing innumerable contents that finally conform the creative act.

Color plays an important role in the making of the work of art. Its construction begins with deep ochre, from whom several figures emerge, concluding strokes of pure and lively color, that finish the work of art, ending in the creation of an complete body.

The creation of primogenial signs that relate to ancestral human expression and human origin is one of the objectives of this work. This paintings also have to do with the creation of space and vital cosmos where the observer can recreate himself looking for shapes that originate upon his own subjectivity.

On the other side, the exhibition also includes the presentation of some poems written by the artist. These poems verse on the same thematic, (human feelings) but do not explain the paintings, nor represent them. These poems “travel” through parallel ways, that never really get touched.

“I feel a strong need to work doing creative objects because of a certain anguish and anxiety I feel on time passing by and not leaving anything tangible to prove its pass. Though my creations I want to leave in evidence that I have lived.”
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